National identity is a theme that is on the arts agenda again. It is a perrenial theme, that recurs from time to time, usually when an artist is accused of plagiarism, copying or deception. With the visual artist, Sam Leach winning both the Archibald portrait prize and the Wynne landscape prize put on by the Art Gallery of New South Wales, he is placed in the pantheon of one of only three Australian artists who have taken out both prizes. His art prize bed fellows are Russell Drysdale and Brett Whiteley, both of whom went on to gain wide acclaim and sometimes notoriety for their art. Some people said it was antics, not art. Is this what we are seeing here with the Sam Leach affair?